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Промт:

Split-view caricature in the style of Stavros Damos, featuring an absurd domestic scene of a crying baby being fed by a virtual nanny emerging from a giant smartphone, 16:9 widescreen. Art style: Raw sketchy ink illustration with sharp angular contours, exaggerated grotesque features, deep expressive wrinkles, countless fine lines, rough cross-hatching, and muted watercolor washes on rough paper texture. No digital smoothness. 8k resolution.

COMPOSITION — DIPTYCH IN ONE SPACE (LEFT / RIGHT DIVISION):

LEFT HALF — THE BABY AND THE KITCHEN:
A chubby one-year-old baby sits in a high plastic feeding chair, mouth wide open in a loud, tearful cry. His eyes are squeezed shut, his face red and wrinkled with frustration, tears streaming down his cheeks. A tuft of thin hair sticks up from his head. A fabric bib with a cartoon smiley face is tied around his neck, stained with drops of porridge. His tiny arms are raised, fists clenched in distress. Behind him, an old-fashioned kitchen — faded yellow-green striped wallpaper, a wooden cabinet with chipped paint, an enamel kettle on a gas stove, checkered curtains, a cluttered refrigerator with magnets, a stray rattle on the floor. The room feels lived-in and warm.

RIGHT HALF — THE GIANT SMARTPHONE AND THE NANNY:
A giant smartphone on a stand dominates the right half, its screen acting as a window. From the glowing display, an elderly nanny leans out, emerging halfway from the phone as if stepping through a doorway — the trompe-l'œil effect makes it seem as though she is physically entering the room. She has a round, wrinkled face, round glasses perched on her nose, and grey hair pulled into a tight bun. She wears a neat floral dress and a starched white apron. Her expression is warm and encouraging, with a wide, cartoonish smile. In her left hand, she holds a steaming bowl of porridge. In her right hand, she guides a large spoonful of porridge directly toward the baby's open mouth. A few drops have splattered onto the tray.

LIGHTING AND ATMOSPHERE:
Warm, soft daylight from the window on the left. Cold, bright blue-white light from the phone screen on the right. The mood is absurd, chaotic, and comedic — modern technology meets old-fashioned care.

COLOR PALETTE:
Warm beige, faded yellow-green, soft grey, deep charcoal ink, pale white, bright blue-white (screen), warm ochre, muted brown, soft pink (baby), rich terracotta, bright orange (porridge).

ART TECHNIQUE:
Stavros Damos style — raw heavy ink hatching, dense cross-hatching shading, scratchy hand-drawn linework, muted watercolor washes, rough paper texture. No digital smoothness.

8k resolution, 16:9 widescreen, Stavros Damos style, rough ink lines, cross-hatching, watercolor washes, textured paper. No text, no labels, no watermarks. Pure caricature illustration.